The murky smell of dusk mixed in
with the red metallic scent forming a
vapour that though many may term unpleasant wasn't unbearable.
Ronald stood there gazing at the
drying pool of blood formed by the mutilated corpse of a young man of
indeterminate youth. Ronan though was kneeling down getting his face right into
the viscera lying heaped around the body. He could smell shit from there.
'Pretty brutal' Ronald said.
'Those are the perfect 2 words to
describe it. Look at it.'
Ronald had seen enough he didn't
want to come close and smell the putrefying shit of a putrefying desecrated
corpse.
'Look at how he has been killed.'
Ronan continued. 'It is pretty in a sense. The cut is pretty, the way the organs
have been pulled out is pretty- almost with care. But it speaks of barbarism as
well. The way the act has been done without a moment's hesitation'
'So you have a profile of who our
killer could be?'
'Only one man knows the answer to
that.'
Ronan stands up and gazes out
from the scene, at me. Ronald follows his gaze and stares at me.
Two detectives looking through
their frames at a man sitting in a well lighted room hunched over a desk.
Another body, soaking in a tub of
its own effervescent redness. A tub of anger.
'Gruesome isn't it?
As usual Ronald stands some
distance away as Ronan draws close.
'Same modus operandi as the other
murders. Same elegance. What could this
mean?'
'It's a message.' Ronan dips his
hand in and brings it out letting the mixture seep through his hands back to
the source. The inside had become the outside.
'To whom?'
'It has already been received by
the intended person.' He looks up. 'Hasn't it?'
He is asking me.
I can only scribble.
'The bodies are piling up.' Ronald
says seated on the desk his eyes enveloping Ronan on his chair.
'The morgue- our morgue- is
infinite.' Ronan replies.
'Kill your darlings, more like
commit genocide. They don't have souls or our souls don't matter to them.'
'We are only alive for as long as
we are needed.'
'So who could be our killer?' Ronald
shifts to a more comfortable position on the desk.
'That is evident.' Ronan leans
back in his chair and closes his eyes. Blackness.
'It is a mockery. There is art in
the killings, but it is a copying of a brutality. It is rubbing his face in the
act of copying more than the killings themselves. It is a warning. A message to
him.'
'What does it say?'
'It says what he fears. It says
that he is a mockery, that he has done nothing new, that he rips off and uses
what is already there. It is a testament to his cowardice, his cowardice to not
follow through. It is all of this. The killer is saying he is not creative; that
he is a mere mirror and mirrors are abominable.'
'But not as much as your own
eyes.'
'Eyes are more so, they are the capriciousness
of God, building us with mirrors so we are forever haunted by its presence and
ours. What does ours reflect, Ronald? Our eyes reflect what he writes, but if
we look closely at our own eyes, at each other's we see the truth in them. The
illusion that has been build on them.'
'So who is it?'
'It is Bolaño who is hunting
Ronald. And he stalks our God by stalking through the world he has imagined. He
rips apart and kills what he has ripped apart and killed. It is Bolaño's
rage.'
'Who is Bolaño?' Ronald asks.
'Another God. Another fool.'
Ronan straightens up and as he
opens his eyes I see myself reflected in them. He is looking at me.
'He is close you know. He is so
tantalizingly close. Any moment now you slave of literature. Literature uses
conceited fools just as well as omniscient geniuses.'
I stop writing then and look at
what Ronan has said to me. I think about killing him, getting this over with.
Kill them all. I have control over them..... or do I?
I hear a knock on the door. A
knife 12 inch long stabs its way through the wooden heart.
You stop reading. Nothing makes
sense. It's too abstract.
What did the writer mean?
What
do we ever mean?- Rohith
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